Tag Archives: modern glossy

Tracy Reese Fall 2009

Photo By Stevyn Llewellyn
Photo By Stevyn Llewellyn

In a preview of the Fall 2009 season, Tracy Reese used a brilliant term to describe her post-Impressionist inspired collection. “Rustic chic” packs a wonderful imagery of romance and a modern take on the countryside. With reference to Vuillard and Van Gogh, we look forward to distinctive “paint stokes” of patterns, distorted silhouettes, and vivid colours.

Reese’s layered prints create a visual feast from head to toe. Pink floral secretary blouses were tucked into high-waisted tapered pinstripe pants. Unbuttoned herringbone blazers flapped with carefree ease over a cornucopia of dark blossoms. Oversized sweater tunics and jackets both cropped and long offer a touch of glamour. Rich tones include lime, “basil green” and raspberry.

Sweet ruffles and knee-length black stockings bring an artistic mood, something you expect from congregating painters and poets at the corner café. Velvet and fur trimmed outerwear make for a perfect day at the Musée du Louvre. Striking accessories include feathered amulets, detachable fur collars, swinging black pearls and leather elbow-length gloves. And you can’t go wrong with dark-rimmed eyewear either, which adorned every look from the elegant – a glossy teal cocktail dress and a black lace-embellished persimmon tank dress – to the academia – boxy blazers and high collar cardigan twinsets.

– Tiffany Chang


Erin Fetherston Fall 2009

Photo By Stevyn Llewellyn
Photo By Stevyn Llewellyn

Erin Fetherston staged a wildly imaginative presentation named “Tinderbox” for Fall 2009. Her creative cast of “polished” figurines embodied “refined whimsy” and hinted of Corpse Bride meets Waldorf ladies at cotillion. There was definitely a large dose of style and humor that had guests positively beaming in anticipation.

Toy soldiers came to life in a circus showing of the marvelous “teacup skirt” – a tutu concoction of silk-fil jacquard – as well as a sleek jersey catsuit, a pair of black & white striped tights, and silk/tweed separates bedecked with black dots and ruby gingham. A velvet fez stood atop heavily crimped tresses, adding a charming touch to the layers of lace and royal marching jackets and riding coats. Nutcracker-esque elements of giant crystal bows, doll bubble dresses, and trim leather belts had me almost seeing dancing en pointe.

The second half of Fetherston’s presentation was a collage of sweet lavender hues and magnolia blossom prints. Appealing details include smooth, elbow-length gloves and ornamental masks (pinned to the hair). One cannot help but dwell upon painted features on perfect porcelain. Don’t expect to see any chips or cracks here. “Tinderbox” ends on a high note and a sigh of pleasure with an extravagant, flouncy silk tulle and chiffon Queen Doll gown.

– Tiffany Chang

Twinkle by Wenlan Fall 2009

Wenlan Chia delivered a “timeless chic” experience in her Fall 2009 presentation at the Classic Car Club. From the trendy West Village location to the brilliant refreshments (an old-fashioned popcorn stand and glass Coke bottles wooed the crowds), Twinkle’s fall collection enthuses a “fusion of memory lane and runway” with special tribute to Audrey Hepburn, a gal whose life radiated incredible style and purpose.

A quick runway presentation was given before guests got to mingle and examine closer the gorgeous frocks and equally stunning five vintage cars on display. Twinkle’s signature chunky sweaters this season call for oversized comfort – a wool grey reversible sweater features a slimmer body rising up into a double-stranded, extra large cowl neck. Also innovative is the mossy green, triple threat sweater cape dress and a slew of thickly-knit accessories which may render outerwear unnecessary.

Trim and airy pieces, such as the wool plum trenchcoat and strapless slate dress, and the soft blouses and fine gauge cardigans, balance the collection well. Expect vivid hues this fall, seen in Wenlan’s watercolor-spotted and edgy floral prints of citrus yellow and magenta.

As the girls leaned candidly against the Triumph TR6 (this beauty was the same shade as their coral red lips!) or the cobalt blue Ferrari GT4, one couldn’t help but picture a feisty English Rose darting over the crooked cobblestones of a city plaza, a “rebellious socialite” eager for some diversion and adventure come fall.

– Tiffany Chang

Thuy Fall 2009

ThuyDesigner Thuy Diep offered a refreshing and organic collection for Fall 2009, with emphasis on bold hues and languid lines. Rich teals and peacock greens punched through the pewter and black foundation. Form-fitting dresses and coats were also incorporated, although carrying a sort of effortless detailing seen in the “uneven embellishments” of side drawstring ruching, off-balanced pleats, and asymmetrical zippers and piping.

While the lovely mustard yellow (in silk charmeuse) was the color darling of the line, sparkling metallic tunics, gleaming minnow-y prints, and those charming ruched white gloves added a touch of stylish maturity. The crewnecks and a repeated showing of sleek, belted blazers also create a sensible character.

The presentation “hints of renewal and optimism” in the final looks. A series of beautiful ivory pieces, including a loose-cut blouse tucked into a billowing tulip skirt and the evening trenchcoat with puff sleeves, effused an elegant and light-hearted tone. Equally striking are the sharp geometric graphics against fluttering silk. Fall need not be dark and gloomy after all.

– Tiffany Chang

The Optimist-Miss Sixty Fall 2009

Miss Sixty 180’s influences and the Miss Sixty show gave birth to a fabulous love child. The spring show in September played into this collection as well, keeping the flower child aura. But this time the berets, much like the rest of the collection, were made of substantial beautiful leathers. The Fall collection amped up the attitude and the fun, like a rumble between Hillbillies and Hell’s Angels. Latter parts of the show gave way to patent puffer dresses and magazine cover prints reminiscent of 60’s pop art.

The show was full of pumping girl-rock music, celebrity status models (a.k.a. Karlie Kloss), messy waved hair, and kohl rimmed intense eyes. The look was feminine but tough, full of leather, hardware, and big bold prints. Obvious homage to the era was shown in acid washed tight jeans, something teen girls everywhere will be yanking up off the Miss Sixty racks. If the recent appearance of acid wash didn’t get your attention before, it just punched you in the face. Large print plaid and harem jeans made a debut together in a playful silhouette evocative of hunter garb, thankfully, sans mullet and shotgun.

The color, while starting off more muted and pattern oriented, grew into a more concentrated primary palette with bright fire engine red, purples, and stark white. Bold printwork reminiscent of early 60’s Lichtenstein art covered pants, dresses, and tops. Patterned and lace tights played in beautifully and modernized the looks, along with black footwear ranging from pumps to pirate boots. Miss Sixty celebrated rock and the extremes, long blousson sleeves to full peplum skirts on dresses. Most everything was “big” from silhouette to printwork, except for the second skin denim.

Even the fur was grungy, matted and black, it looked like someone had taken the arms off of a gorilla and sewn them into cropped jackets, boleros, and scarves that screamed bad-ass. The street-cred of Miss Sixty, however high up there, will definitely get bolstered up another notch after watching this energetic show. Even the models looked like they owned the world, and for a moment we were all in the effervescence of the 80’s and the stock market revival of the 60’s.

-R. Em

Photos by Stevyn Llewellyn
See more Photos from the Miss Sixty show below