Tag Archives: models

fashion

Tracy Reese Fall 2009

Photo By Stevyn Llewellyn
Photo By Stevyn Llewellyn

In a preview of the Fall 2009 season, Tracy Reese used a brilliant term to describe her post-Impressionist inspired collection. “Rustic chic” packs a wonderful imagery of romance and a modern take on the countryside. With reference to Vuillard and Van Gogh, we look forward to distinctive “paint stokes” of patterns, distorted silhouettes, and vivid colours.

Reese’s layered prints create a visual feast from head to toe. Pink floral secretary blouses were tucked into high-waisted tapered pinstripe pants. Unbuttoned herringbone blazers flapped with carefree ease over a cornucopia of dark blossoms. Oversized sweater tunics and jackets both cropped and long offer a touch of glamour. Rich tones include lime, “basil green” and raspberry.

Sweet ruffles and knee-length black stockings bring an artistic mood, something you expect from congregating painters and poets at the corner café. Velvet and fur trimmed outerwear make for a perfect day at the Musée du Louvre. Striking accessories include feathered amulets, detachable fur collars, swinging black pearls and leather elbow-length gloves. And you can’t go wrong with dark-rimmed eyewear either, which adorned every look from the elegant – a glossy teal cocktail dress and a black lace-embellished persimmon tank dress – to the academia – boxy blazers and high collar cardigan twinsets.

– Tiffany Chang


fashion

It’s all in the Tailoring: Modern Architecture Meets Modern Tailoring

6119: Ilana Sunderland

Canadian born designer llana Sunderland comes from a long line of tailors. For two centuries the Sunderland family has passed down the tradition of fine tailoring. So it should come as no surprise that Ilana Sunderland seems most at ease in this ever-so precise realm of constructing clothing.

Sunderland’s Savile Row roots betray her, in a collection that emphasizes cut and construction. Her approach to tailoring is obviously based in a clear understanding of construction. Before launching her own signature line the designer had stints had several renowned fashion houses were she able hone her design voice. Sunderland says,
“My goal is to create the ultimate fit. Wearing a perfectly tailored dress or suit is the epitome of luxury, sophistication and sexiness. I want my designs to convey those qualities”.

For her sophomore presentation, the designer showed a strong range of women’s and men’s tailored suiting with a sprinkling of dresses. Sunderland was inspired by modern architecture. (Perhaps, an homage to her father, the noted architect). It’s always interesting to hear where a designer draws inspiration from; it’s even more interesting to see whether they will take their inspiration too literally. Sunderland showed great restraint, there was a clear nod to linear forms and sleek shapes but it was overly indulgent. Sunderland showcased her favored pleating technique to great affect in a myriad of ways. The pleating appeared as detailing and in some cases an entire garment was comprised of tiny pleats. The collection showed Sunderland’s ability to address all the needs of clientele from work wear to evening wear to overcoats. Notable looks included a double breasted midnight (navy) suit, a brown full length pleated coat for women and structured coats with pleat detailing for both sexes.

Where Sunderland’s attention to tailoring and detailing sung her color palette fell flat the haphazard, restrained palette included Ruby (red), Midnight (navy), Heaven (light blue), black and a leopard print. But one could clearly see that any of these looks would translate in basic black for more metro-focused look (its fairly certain the entire collection will be available in black).

Overall this was a promising second showing. Sunderland is sure to make a name for herself with the minimalist set, with work that features some of the hallmarks of a certain 7th avenue minimalist and yet uniquely her own. It will be interesting to see where Sunderland takes us next season.

– Alexander Coelho

fashion

New York Fashion Week

New York Fashion Week
Exclusive coverage from the Fall 2009 Collections during Mercedes-Benz Fashion Week will be presented here at Modern Glossy from our creative team. Stay Tuned.

fashion

Toni Maticevski

Toni MaticevskiToni Maticevski’s show was held off site at the Roger Williams Hotel on Sunday, September 7, 2008. Maticevski is a young Australian designer showing for the fourth time at New York fashion week. His Spring 2009 collection was inspired by both the book “Inventive Paris Clothes 1909-1939” and by the fashion of this period. His inspiration was immediately evident in several of his 1920s inspired dresses. These short dresses were hemmed with silk fringe that swung as the models walked and were reminiscent of a flapper girl’s costume.

Maticevski choose to work mostly in silk and lace, often embellished by flower appliqué or long coiled shoulder details. His draping and pleating was beautifully accomplished and at times origami-esque. A few pieces were extremely sheer, but the silhouettes of these dresses and even the boudoir feel added to the overall nostalgic mood of the presentation. The collection was exquisitely tailored and wearable yet full of interesting detail to distinguish it.
-Lyndsay Skeegan

fashion

Sergio Davila

Sergio Davila
Sergio Davila has been producing menswear for some time, but this was his debut runway show under the tents at New York Fashion Week. His elegantly tailored suiting was often edged with athletic stripes or other quirky detail that lent a unique air to his pieces. Some suits were accented with slightly feminine detail such as mandarin collars or loose knitting that provided glimpses of skin. Sergio Davila
The women’s wear was sporty and sexy with sheer crocheting and keyhole detailing. The entire collection appeared casual and comfortable yet extremely well tailored- all in all an exceedingly successfully runway debut.

– Lyndsay Skeegan
Photos by Mercedes Benz fashion Week